Petersburginto the family of Ivan Yuvacheva member of the revolutionary group The People's Will. By the time of his son's birth, the elder Yuvachev had already been imprisoned for his involvement in subversive acts against Tsar Alexander III and had become a philosopher. Daniil invented the pseudonym Kharms while attending Saint Peter's School.
Great short movies are getting lost amidst thousands of unseen little pieces out there that never get distributed. Synapse and Fantasia film festival attempt to correct this by releasing a compilation of the best and most striking sick little shorts from the past few years.
Hopefully, there will be more of these releases. Features 13 various shorts, of which at least a handful are guaranteed to be exceptional. Stay A mainstream, subtly surreal movie with some Lynchian aspirations. A psychiatrist tries to help a strange and suicidal college student who for some reason knows he is going to kill himself in three days time.
His girlfriend, who was also suicidal in the past, tries to help, but things become more and more confusing. The movie uses many great transitions and beautifully tricky cinematography and editing that reminded me of Robert Lepage, and many subtle odd touches such as multiple twins and triplets, time-bending and time-loops, some fantasy, or pants that are too short, to drop hints of what is to come.
The ending kinda ties it all together, but not necessarily in a logical sense, and you have to think about it as a right-brain, dream-logic, emotional experience driven by human needs to extract the factual details from the rest.
Because of all this, viewers of this movie either tend to wrongfully hype this movie's genius, or discard it as empty and confusing, but it's a good movie nevertheless and beautifully put together, subtly evading the twists that experienced movie-goers will easily predict by not allowing it to fit too neatly into these theories.
A good, albeit relatively inferior companion piece to Donnie Darko, but a slightly better variation of The I Inside. A man repeatedly kills his wife only to have her come back more annoyed than ever, a family man is hypnotised into thinking he's a bird with unfortunate consequences, teenage thieves deal with a homosexual complex, a maker of crazy commercials tries to deal with annoying coworkers and husbands, and a British hit-man asks his victims their function in life via a Japanese interpreter.
Visually stunning, very entertaining but with a flawed, overlong second halfand works at several levels, one being the connecting theme of karma and accepting things in life in order to survive. Texas Chainsaw Massacre, The A unique classic that set the standard for backwoods horror dementia and atmosphere, and which has never been duplicated since.
A group of youngsters, one disabled and prone to morbid interests and childish tantrums, stay unexpectedly at an old heirloom house, and encounter an extremely demented neighbour family with deranged obsessions for the meat industry and slaughter houses. Avoids the Hollywood teenage-horror cliches, masterfully builds a horrific and brutal atmosphere mostly thanks to a great sound design and a unique gritty style of cinematography, as well as the horrific and brutal dementia of the family, and is still very disturbing and unrelenting today.
Features an unforgettable insane dinner scene with a killer great-grandfather, and it introduced Leatherface, his human-skin-mask, and his chainsaw.
Threads Of all the movies about a nuclear holocaust, this one emerges not only as one of the best, but also as the most brutally, relentlessly and mercilessly realistic.
It is actually more of a 'documentary' than a movie, and that is one of its flaws. But the terror and horrors are indescribably intense and disturbing. It's a systematic British depiction of what will happen when a nuclear war breaks out, focusing on the residents of Sheffield England from days before the attack until over a decade later when humanity has been reduced to animalistic survivors with almost no hope.
The attack itself is riveting in its intense terror, and then it deteriorates from there. Forget The Day After or Testament; this one is backed by science and an educational narrative, and holds nothing back, except that its flaw is that it focuses masochistically only on the worst case scenarios, hopping from one nightmare scene to another relentlessly without giving us much time to get to know the characters and without developing much of a story.
Its power is undeniable, however, and has shaken many to their cores. I'm not usually a fan of anthologies or the popular triptych omnibus approach to releasing short movies, but this is the most successful and delightfully strange one yet. The theme is the effect of life in a big city taken to absurd extremes, and these movies could have been based in any city except they use some Tokyo-specific details.
Michel Gondry's "Interior Design" whimsically explores the attempts of some youngsters to find their place in the city, with amusing battles involving apartment-hunting and car-pound bureaucracy.
When a girl finds herself superfluous and lost, her body mutates into something more useful Leos Carax's "Merde" features an inspired unforgettable creation in the misanthropic sewer-dwelling foreigner with a crooked red-beard and a language that involves high-pitched grunts and slapping.
When he terrorizes the city with general abuse and old Nanking grenades, they take him to trial. Bong Joon-Ho's "Shaking Tokyo" is my favorite, dealing with a hikikomori Japanese city-hermit with OCD who falls for a pizza-delivery-girl and forces himself to go out of his house for the first time in 11 years with surreal results.
Everyone seems to have their own favorite, but I like how all three different but inventive shorts join forces to create a delightful portrait of extreme city life.
Upstream Color Carruth finally follows up on Primer nine years later with an even more challenging, existential and abstract experiment. It's one of those rare movies that are so dense with mysterious details, you'll keep snapping pieces of the puzzle into place with every viewing, and you'll keep watching it because you sense that it's not just weirdness for its own sake.
Thoreau's 'Walden' and his views on transcendentalism are a big key in deciphering this one. There's a 'Thief' that uses grubs to control other people, playing with their perception and control of reality and stealing their money and lives.
There's a very abstract character of 'The Sampler' who records sounds onto machinery as well as people's identities onto pigs, who seems to go beyond psychically observing lives to being some kind of a warden of souls.
There are emptied victims that find each other, a cycle of life portrayed via worms, pigs and orchids, shared and stolen memories, and a symbolic, transcendental breakthrough through orchids, isolation, and water.
All this should provide more than enough keys to unravelling the mystery, and the movie's density and uniquely challenging viewing experience ensure that it can't be spoiled.
I would have liked more insight, humanity and depth once the puzzle is solved, but I loved the method it used to communicate, merging cold abstraction, challenging terseness, intelligence, surrealism, and existential need.
Of Some Interest ABCs of Death, The A very colorful and extreme production of 26 horror shorts, each named after a letter in the alphabet and given to a director to do with it what they will. And boy, do they let go of all restraints and limitations.
The wide variety covers everything from disturbing horror to artsy nastiness, disgusting comedy, gruesome violence, general insanity and tongue-in-cheek extreme comedy.Today I Wrote Nothing: The Selected Writings of Daniil Kharms, by Daniil Kharms, translated by Matvei Yankelevich Writing Art Writings Stalinist Confusion Book Authors Gd English Language Fiction Books.
The "texts" of Russian artist and thinker Daniil Kharms () were so many and varied and often unique (narrative, dramatic, philosophical, poetic, mathematical, pictographic, diagrammatic, musical, biographical) that they defied categorization—and, thus, thorough study or appreciation—through much of the twentieth pfmlures.com: Branislav Jakovljevic PhD.
Dec 09, · Let us consider Daniil Kharms, the Russian writer often described as an absurdist, largely unpublished in his lifetime except for his children’s books, who starved to . Writing and the Event By Branislav Jakovljevic The "texts" of Russian artist and thinker Daniil Kharms () were so many and varied and often unique (narrative, dramatic, philosophical, poetic, mathematical, pictographic, diagrammatic, musical, biographical) that they defied categorization—and, thus, thorough study or appreciation—through much of the twentieth century.
We will never let anyone cast doubt on the deeds of our nation,” Medvedev said, according to the paper. A small memorial plaque for Russian writer Daniil Kharms. But Kharms continued his absurdist writing, falling afoul of those in the Stalinist system charged with maintaining uniformity and order.
The strange writer, living in. Membership Gift Cards Stores & Events Help All Books NOOK Books NOOK Textbooks B&N Outlet Newsstand Teens Kids Toys Games & Collectibles Gift, Home & Office Movies & TV Music Auto Suggestions are available once you type at least 3 letters.